An Artist Remote Views His Art
by Dennis Arbour
A little over three years ago, I began my training to become
a Technical Remote Viewer with the intuition that my choice was correct. I fell
into the daily practice, fired by the desire to search this technology thoroughly
and understand its content. From the beginning, I found nothing short of personal astonishment in the fact that it truly worked. I found myself in the position of being a "kid in a candy shop", and I have yet, even today, to shake off my wonder and amazement of TRV.
In my first year of training, I began my own Optimum Trajectory after I was familiar enough with the TRV protocols that are the base and foundation for a BIGGER view: Advanced tools and refined skill levels. Of course, at first we as viewers have doubts towards data that comes out of sessions, for in the beginning we are walking in a new terrain, and especially when that terrain is the area of mind. But we learn to put our doubts aside and belay our analysis in the actual process of TRV.
Barring mention of other things that I perceived, I was a bit amazed--and also upset--at my own Optimum Trajectory. Being an artist all my life, and having it come up in a session upon such a serious endeavor, it came across as my own wishful thinking that my own Optimum Money generating activity....would be art. The very thing, however, that made this DIFFERENT was that it pointed in an area that I had always avoided in art.
As all artists generally do, we strain towards our ability to paint a "thing like a thing, an apple like an apple", attempting to "up" our skills to capture what the eye sees and reproduce it on canvas as it "looked". MY Optimum Trajectory was suggesting that I was about to enter the world of something that represented or symbolized a thing....abstracted...and not anything I was even remotely familiar with as a painting in art. It was abstraction, symbolism, and impressions of a "thing" that seemed to be suggested. This was a territory that I was totally unfamiliar with, but suggested that A NEW FORM OF ART WOULD OCCUR.
Curious, hesitant, intrigued and even affronted by such a suggestion, I also had to accept that the sessions were introducing the idea that TRV was also involved; although at first it seemed that there were TWO paths of my Optimum Trajectory: One for art and one for TRV. Oddly, they seemed to walk hand in hand, and also "of themselves".
I spent a continuous effort on pursuing this mystery, and not long afterward a curious thing happened: my staged drawings in sessions abruptly CHANGED in how they were drawn and took on a new, loose, and flowing style. This occurred in approximately January 2003, six months into my training.
In the search for this elusive and baffling art form waiting to be "found", I began to explore by honing my art skills and simplifying many brush strokes into few and creating a group of works called "speed paintings", as they were done in three to four hours of natural subjects.
By March, 2003, I had enough of a realization to understand that the very session drawings that I was doing resembled the "abstraction, symbolism, and impression" that I had been looking for...and were ripe forms for "ART". On March 21, 2003, I attempted the first--a painting called "Iraqi War", that is now the foundation painting for TRV ART. Clearly, this piece showed that simple lines and colors could depict a theme and be extremely active!
I continued many sessions aimed at this phenomena and my Optimum Trajectory in the struggle to "realize" the true form that is now TRV ART, as true optimum trajectories of one's life should be done on a continued basis to clearly stay on the trail. I found that this new "art form" was truly something that historically had never been done before, based on sessions, and then transferred to canvas in symbolic, representational gestalt symbols, archetypal representations, which are the "abstract" symbols of real things viewed through TRV.
In short, they are abstracted forms as symbols of REAL things in existence. I suddenly found myself, a realist painter, creating a new type of art based on TRV. As the movements in ART before us--the classicalists, the impressionists, the abstract subjective painters--now comes a type of painting that is based on "objectively" observing something at a distance and painting it in abstracted form. Until now, there has been no such thing in art as "abstract objective".
The Optimum Trajectories showed the creation, development, actions, transition and progress of this new art form to its current state in a website....and beyond. What HAS occurred by following this is the discovery and introduction of an entirely new form of art, AND is a living, positive, "poster child" proof of TRV and Optimum Trajectories. I say "living" because it is continuing even as I write and will unfold further.
If a "holy-wise man-prophet-seer" had suddenly burst into the room and told one of this future, it would seem unreal, as a dream, out of fantasy and a storybook tale. As TRVers, we have gained that very insight to see that these things are built in increments following an Optimum Trajectory.
Do you think I would have ever believed almost three years ago that I would discover a new art form and we would produce a website introducing it? All based on such a powerful mind tool as TRV?
I welcome you all to the extraordinary journey of TRV ART and the new website! New artworks are in production and will be added on a regular basis.
To view this incredible new art form based on TRV protocols, go to TRV ART (http://www.trvart.com). This is an example of what can come from following your Optimum Trajectory, trusting your data that this is truly your optimum path in life, and following that path to fruition.
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